The Trigger

Seeking to protect his pregnant wife, gangster Gui decides to give himself up to the authorities, only to find his act of self-sacrifice results in the loss of everything to less scrupulous rivals.

On his release from prison Gui opens a small cafe. He gives a job and place to stay to Hong, a younger ex-con who inadvertently found himself mixed up in the kidnapping of a high-ranking official's stepdaughter.

But Gui has not completely abanoned his past life, as he agrees to undertake one last hit. Things become complicated when Hong discovers the gun and falls in with his erstwhile victim, Coco, a teen prostitute who wants her abusive stepfather killed…

Though competently made and performed, this Taiwanese film fails to establish a coherent identity and tone of its own. Director Alex Yang looks to have intended to fashion a low-key, character-driven piece reminiscent of his long-term associate/mentor Edward Yang (no relation), but fatally undermines this by including genre staples like the enigmatic hitman that, in turn, he cannot make work in a straight dramatic and realistic context.

On this showing the director has a talent for both composition and dialogue but needs to decide whether he's aiming for the popular audience or the critics and festival programmers. As it is, there's not enough here to consistently sustain interest – a situation not helped by the fact that the opening five minutes misleadingly contain more action than the next 60 nor by an elliptical narrative that declines to establish who the main characters are and how they relate to one another until halfway through.

Mark Yang as a director to watch for… two or three films down the line.